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Post by Rob W on Nov 12, 2016 18:10:42 GMT
2 votes!!
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Post by timwarner on Nov 13, 2016 22:15:07 GMT
Moon Over France - Christian Duffin Lovely, happy mandolinning for the intro and chorus, but sounds like an electric guitar in the middle section. Nice acoustic solo (very ‘Lady Grinning Soul’). A really good acoustic sound and another great tune. Where this song really scores is the subject matter and it’s dual meaning. It’s not overdone so you can easily see it as a nice song about foxes or the more poignantly about refugees. Personally I prefer to think of it on face value in much the same way I like to think of Animal Farm as a story about what a bunch of Nazi’s pigs would be, given the chance.
Ruff - Stephen Clarke Familiar skiffle feel. The boom-changa style could make it a Johnny Cash song. I really like the little acoustic pick-up riff that takes us into the chorus, especially with the stop. I really like the defending sequence in the intro, too.
My Dog - Colin Parish I love the sunny, optimistic feel to this. I really like it but, I felt it doesn’t need the comic lyrics which, once I’ve heard them, start to nudge it towards being a novelty song, and it’s too good for that.
Unconditional - Phil Sanderson I like the idea behind this. There is something great about having a dog and how enthusiastic they are for whatever is next. This is a bit more mournful than I expected or, perhaps, it just sounds that way to me because of the contrast to Colin’s song.
I Want A Dog - Rob This could have been a dual purpose entry for ‘beginning, middle, end’ and ‘dog’ month. Not sure what came from a sample and what was played, your stuff always sounds very clean and well recorded, anyway. The presentation is very good, making it harder to think of the song writing rather than the whole effect. I really like the section before the chorus. If feels floaty and relaxed, the prefect contrast to the horn blasts in the chorus. I like the lines the guitar plays but think it could have been better using a different instrument. Excellent vocals and bass line (shock!). Edit. Do you really want a dog? That really is a shock.
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Post by eddiecustard on Nov 15, 2016 17:59:07 GMT
Stephen Clarke – Ruff
Very rock’n’roll to record this on the bathroom floor with a travel guitar. It was a good move - the guitar sounds very effective, a bit like that metallic accoustic favoured by some country and western stars. Nice idea to bring in the chorus at the beginning. A dog made of ‘pick ‘n’ mix’ sounds like good subject matter for a song, and there’s a good use of space, with the withdrawal of instruments at the right moments. The sparse guitar that precedes the chorus is very effective. Stephen would be the ideas man in any band lucky enough to have him. My favourite lyric of the week, along with Tim’s and Julie’s.
Tim and Julie - Fat Dog
A gloriously kooky song made great with the tuba, some clanging on the guitars and goofy Hawaiian-style tremolo work. It could have been plucked from the middle of Tom Waits’s Swordsfishtrombones or Rain Dogs albums; a crazed march pumped up with over-sized portions of Pedigree Chum. I like the comedic touches, and that Tim sings from the point of view of a dog who feels he’s been let down by his owners and doesn’t much care much for running after balls. There’s very good phrasing and melody on the ‘was it my destiny to be…’ section and I’m fond of that little swirl of the keyboards in the intro. It’s got the lot – humour, oddity, world weary singing from the titular dog and intriguing choices of instruments. Oh, and a great chorus. The glitches you worry about are barely perceptible and add to the charm. Best in show.
Colin and Parish - My Dog
A very welcome return to action for Colin, who captures the less pleasurable elements of dog ownership with humour and sympathy, alongside the benefits of companionship. There’s a great echo effect on the ukuleles, and this is the first time I think I’ve heard distortion on a ukulele – good stuff. The two ukuleles combine really well to bring momentum to the buoyant tune. I like the line: ‘my dog’s a winner, he’s not a dog’s dinner.’ Colin’s unnamed hound comes across the same way as Stephen’s Ruff; the runt of the litter and yet still loveable. The sparseness in the musical arrangement is an advantage, which adds to the clarity of the melody. Very enjoyable.
Phil Sanderson - Unconditional
This is a touching, brave song of the love and devotion between a dog owner and his pet. The verse is great, with some lovely acoustic guitar work and excellent singing. For a song that celebrates the human/pet relationship, however, the chorus has a melancholy and mysterious mood which doesn’t really fit the upbeat and positive sentiments behind the words. Sorry Phil – it’s meant as a constructive criticism. As always, there are some terrific bits – the high pitched harmonies work a treat and the singing generally is very good. The chord sequences are as creative as ever. I like the lines: ‘You are not my whole life but you make my life whole,’ and ‘it’s great to have you around, you understand when I am down.’ A great production, and the small number of instruments was an inspired choice. You’ve created an atmospheric piece, driven by heartfelt sentiments and some high quality playing.
Rob Warner - I Want a Dog
Great that you’re back, Rob. Like Phil, you’ve produced a warm-hearted celebration of a man’s relationship with his dog. It was a good idea to write verses from the point of view of both the owner and the dog. The piano playing fits snugly as a backdrop in the verse and the high notes on the bass work really well on the bit before the chorus. The ooohs are a nice touch. I like the brass behind the chorus, and as usual you’ve delivered a purity in the production that makes all the instruments stand out and contribute something. I like the way you’ve avoided chucking in any filler instrumentation, making every note count. Good stuff.
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Post by stephen on Nov 23, 2016 15:38:37 GMT
Christian D Moon Over France My reaction seeing the title was: risky thing to do. Their air force doesn't mess about. So I was relieved to hear a laid-back ballad free of bared buttocks and enhanced by some very tasty mandolin. I think your foxes are being a bit romantic about France, where the countryside is full of drunken hunters blazing at everything from sparrows to other hunters, but the rhymes are neat and the tunes are great. The use of the mandolin is perfectly judged, and the electric guitar over the bridge is very George Harrison. This is one of your simpler songs, much "straighter" chord changes than usual, but that makes it feel very natural.
T&J Warner Fat Dog Yes, I can imagine this as the theme tune to a cartoon. Fat Dog, excellent name for a character, and the lyrics all tell a great story. I like the way the verses start out sort of wobbly and lethargic, and yet you make them pick up at the end to take us into your hook. The growling brassy bass is powerful and as usual, excellent guitar work - the recording of those Hawaiian chords is great, and they punctuate the whole song perfectly, especially the harmonics.
Colin P My Dog I admire the daring of actually referring to the elephant's poop in the room, using "shit" right at the outset, and mentioning leg-shagging. The sparse instrumentation works well because it comes across as a sort of late-night lament about how you're stuck with him, but it's not so bad really. Good singalong tune, and great lyrics - especially funny to remind us that all dogs are sons of bitches.
Phil S Unconditional The counterpoint to Colin's song about poop, a romantic celebration of companionship. As usual, some excellent guitar-plucking and an intimate feel in a style all of your own. I like that bass, that sometimes goes do deep that only a dog could hear it. This fits in really well with your other folky, wistful songs that seem very very English, in a good way, like Sandy Denny.
Rob W I Want a Dog I like the improvised feel, underpinned by very nice bass playing and some great chord changes as you go into the second part of the verse with just voice, guitar and bass - that part has a great feel. The piano sounds like a famous rap song - don't know the title - I was expecting a rapper to come in and harangue us about how great his bitch is. Don't know why you just cut it off at the end, as if you'd decided that it was too improvised and didn't merit a proper ending. But the song has tunes, a structure and a hook, and I think whatever you do when writing a song, you should go with it till the end.
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Post by Rob W on Nov 26, 2016 17:50:32 GMT
Christian D
I love Christian’s sleeve notes even before listening. I don’t think there’s anything wrong with ‘giving the game away’ as (in my case) it makes me much more attentive to the lyrical content.
The melody is so simple but the beautiful chord progression does all the work and the two intertwine perfectly.
This is a much bolder mix (vocals up loud) and not an overly complicated sound at all (and no drums!) This has a great ‘folk’ feel (probably due to the mandolin) and would get a standing ovation at any folk club I’ve ever been to!!
Great work (again) and a seemingly effortless progression to a top two finish, surely!!
Stephen C
As with Christian, his sleeve notes are almost as entertaining as his songs. I saw almost because this - as with virtually ALL of his contributions - is a treat. He’s right about the ‘bathroom floor’ production but the overall feel is very pleasing. This is a great combination of simplicity in terms of the chords, a great melody and brilliant lyrics (and a lovely - if small - guitar break.)
I love the idea of a dog called ‘Ruff’ who’s a miserable old punk. This was great from start to finish.
Tim & Julie
Wobbly is a good word for this but not in terms of the execution. There is confidence in its wobbliness!
I love Tim’s choice of melody and his lyrics are funny as ever. And I really enjoyed the arrangement (even though he’d buried the Tuba too deep for my ears.)
Great guitar playing as ever. Very accomplished, very good (and not a loop in sight, unlike his little bro’)
Colin P
Distorted Uke is the way forward!!
This is a great melody and I like the deep south feel. I also really like the lyrics. A man and his dog (his best friend) cannot be separated, through thin and thinner!!
This is simple but very effective.
Phil S
I loved the opening (12 string - just like a Genesis tribute band!) Also, the sound was great (great recording!) I’ve been saying for ages to anyone who’ll listen that I constantly yearn for the unconditional love I once enjoyed from my children and you sum that feeling up perfectly here for me. I absolutely loved this on every level. My favourite track of this bunch. Brilliant
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Post by philsanderson on Nov 27, 2016 0:18:38 GMT
Christian Duffin
Another masterclass in storytelling and the enviable ability to conjure up vivid images. This has a lovely, 'foxy' combination of sounds, I particularly liked the piano… Like the guitar playing at 2.26… Your ability to find rhymes and fit rhythms of words to music is up with your finest here.
Stephen Clarke
Is that natural bathroom reverb? it sounds very good indeed. The different guitar parts move in and out of the song seamlessly throughout. Quite a heartfelt song, although Ruff does sound visually unique and very self-willed. I always wanted a dog when I was growing up, but never had a chance as my mum had extreme ‘Canineophobia’. Favourite part is at about 2.20. As always I really enjoyed playing along to your song, Stephen
Tim + Julie Tubatastic indeed. Great use of different instruments , all very clearly mixed and produced. I sort of wish it could be extended with one of your guitar solos in middle ( my personal wish, and not a criticism I hasten to add.) Great lyrics and delivery. Woof! One of my dogs seems to listen to this one more than the others - not sure which element from song she’s picking up on ( ie vocal, tuba, guitar, words..... )
Colin P
Ukeleletastic work, Colin! Nice irony as being a ‘good’ dog includes doing unspeakable things to legs and making a mess wherever. My dogs are both female and in contrast to ‘my dog’ don’t seem to have fully grasped the concept of carrying out unspeakable acts, although they love a good bark and enjoy a twice annual roll in Fox Poo. The two instruments work together really well here.
Rob
Looptastic! Like the different points of view in the verses. You do sound as though you really want a dog, although I’m sure this isn’t the case…? Nice bass wok here, and good use of your superior brass sounds….does the song stop prematurely or is it deliberate? After a week not listening to the songs to revisit them afresh, the main line from your song was the bit which completely stuck in my brain on dogwalks.
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tandg
Junior Member
Posts: 67
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Post by tandg on Nov 27, 2016 12:10:23 GMT
Christian Duffin – Moon Over France
I liked the clarity of the mandolin and the acoustic guitar and the vocals sound just great, with good strong harmonies. I have avoided looking at the other comments (it’s easier to when you haven’t submitted a song) so I don’t know if this has been answered but does the cartoon actually exist? The lyrics are so descriptive, it’s very easy to visualise. The theme tune definitely makes you want to watch and has a sort of simplicity that would really work well. Perhaps with a reprise a couple of times during the action? The mandolin introduction was so strong, you could certainly reprise that – I would have liked it to have been revisited in the song as well.
Stephen Clarke – Ruff This is such fun – so many great lyrics it’s hard to keep up. You capture the feeling you described in your sleeve notes perfectly, with a sort of hoedown feel and the double tracked/harmony vocals that are really effective. The recording quality sounds fine – particularly the guitar which has a nicely rounded sound for a travel guitar. The dog with ears of a goat and whose favourite pastime is running away fits the musical and recording style perfectly.
Tim & Julie – Fat Dog Wonderful! If Stephen caught the feel of a scruffy, punk dog, this takes it even further. You can imagine the waddle and roll (perhaps that’s a musical style yet to have its day) from the first note to the last. Obviously, songs about fat dogs was just what the inventor of the tuba was thinking of. I won’t ever hear it again without the vision of canine obesity.
Colin Parish – My dog A flea-ridden son of a bitch. Great line among many and such a good delivery. The uke sounds mighty and the voice sounds really strong. I really liked how you recorded the ukulele – I wouldn’t have known what it was without your sleeve notes. This is great fun and really delivers – everything comes together, with a good hook, good playing and a feel that is just right for the subject.
Phil Sanderson – Unconditional Surprisingly heartfelt stuff from Phil – we’re more used to darker subjects than this. I liked the guitar playing – the instrumental break was lovely and the high backing vocals keep the song flowing along. I sort of expected a twist in the lyrics somewhere but actually it’s really touching and catchy with it. Enough to make you get down to the local dog rescue centre.
Rob Warner – I Want a Dog Great brass! This must be the Warner family brass section month. It just seems to capture the mood beautifully. This is a difficult trick to pull off – synthesized brass can sound dreadful and here it’s great. I like the songs’ up and down atmosphere – melancholy one minute and then upbeat and strident the next and the sort of child-like demanding particularly at the beginning of the song is really strong. Great stuff.
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Post by colinallcars on Nov 27, 2016 22:14:39 GMT
OMG! I can't believe I actually won something! Thanks guys, it means a lot to me. The dog's pleased too - he's just drooled into my ukulele. Cheers, ColinP
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Post by timwarner on Nov 29, 2016 18:32:23 GMT
Well done Colin and TAFKAEC (the artist formerly known as Eddie Custard). Two hugely likeable songs, well done.
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11. Dogs
Nov 30, 2016 15:18:29 GMT
via mobile
Post by eddiecustard on Nov 30, 2016 15:18:29 GMT
Well done, Colin - hope you put something in for Christmas.
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